Friday, November 15, 2013

Private Life...

"Private Life, but irresistible to not share..."

What a great day this has been. Yep, this has been one of my better days and it was the weather, it was the events and it was the love I humbly received from quite some people.

Something that has been quite remarkable for me personally and which I am so happy to share with all my music loving friends is the event in which I found an old love back.




You can picture this quite figuratively since I have never ever met Kelly Breznik in real life. Nevertheless my love for Kelly was quite real. Not in the way you love your mother or schoolgirl sweetheart but Kelly spoke to me in a way no-one ever did. She really thoughed me with her voice and that love only grew. Kelly was a stunning singer in the Van Halen team of producers shaped set of albums under the name Private Life. Talking 1988 and 1990 here, Bon Jovi and all the other 'poodle rockers' were the rave and I happened to be in the perfect age and situation in my life to fall for many of the albums that came out in those days.

Out of all the albums that I bought in those years only a few survived the test of time. In the sense that some I do have a giggle on when I accidentally play them, for good old times reviving with friends for instance, but only a handful still have that same effect on me as they did back in the day when I bought them and played the grooves out of them.

Yep, those Private Life albums are among those albums. And in particular because of the chills I got and still get when I hear Kelly sing. Those albums are quite hard to find these days so I even shared them on my website some years ago. Making them sound a little more like the albums that come out these days but not overdoing it.

I have always been wondering what ever happened to the sweet Kelly (nowadays going by the name Kelly Macleod) that was comforting me with her angel-like voice and helping making my worries go away whenever I played those lovely, intense and yet gorgeous catchy albums. I never could track Kelly back, until today. By chance or perhaps not, I came across an outfit called The Sweet Potatoes and there she was, the Kelly I have always loved for her sweet, sweet voice that is like no other.

Kelly grew older of course through the years and her hard rocking vocal duties from the Private Life years made way for passionate Country Americana Gospel music that is again making me feel special. Special in the way that I can enjoy the beauty of music this way. Music from the heart, music for the heart. Have a listen and see if you get it what I'm saying here...

Here's to Kelly and The Sweet Potatoes, come join in and be amazed of just how personal and up close music can be.

to Kelly, love to the spirit that gave me a piece of Kelly back. The part of her that sings like an angel. That gave chills back in the late eighties and now all over again.

Wednesday, November 13, 2013

Yes! This sounds like music!

"How sweet the Lily..."


Yes! This sounds like music!

Friend and mentor on all things audio Ian Shepherd [from www.ProductionAdvice.co.uk
] just mentioned to me that Lilly Allen released a new single and that it does sound lovely to his sensitive ears. For him and me it's a second nature to listen to audio in a more scrutinizing way and sometimes that's keeping one from just feeling the joy of the sounds that reach your brain.

For many years I worked in the music industry and today I'm working for me and my ideals. I can luckily switch modes so it's not that I'm always listening with my brain but quite often just with my heart as well. I love music, to state the obvious. But, it couldn't be much of a surprise to anyone reading this, modern consumer directed music is suffering for years now by compression method antics that squashes music to one big pulp. In the last say 5 years music has become more and more annoying to the ears of many, simply because all of the different record labels and artists wanting to be heard (which is quite understandable) and for years the tactics of sounding louder as your neighbor worked.

Not anymore, I for one don't even buy certain albums any more just because they sound like a complete disaster. It's been so far pushed to the limits, sound wise in loudness levels, that it becomes almost unbearable to listen to. For years I protested this method and shared my thoughts and examples of how it all could've sounded. [eddylite.blogspot.com]
It's great to hear some artists and labels and/or management executives that want to go back. Take it all a notch down and let the listener, the buying audience, decide just how LOUD they want their music to sound.

See, once the engineers that create your music decide that it should go as loud as it possibly can, you can't turn it around anymore. You could listen on a lower volume level but it would only sound flat and lifeless. Oddly enough, just exactly the opposite of what the engineers had in mind. When engineers create your music with dynamics (in short, not that LOUD but with jumps and wells where it is in fact a bit more quiet) you can play it just as loud as you want. In that scenario, it sounds lovely when you use it as a musical background but you can also crank up that dial and it still sounds lovely...

Thanks to Lily and Company for taking this first baby step, yes, it can still get better than this, and along with her a few other artists that surprised me at least with albums that don't push the limits of loudness but simply let it all breath a little...

And ofcourse, as always, a big thank you to Ian Shepherd. Go say hi to him if you love music and agree here.

P.S. "Go, Lily, Go Lily..."

 
(this is a repost from facebook earlier today.)
Read what Ian Shepherd from www.productionadvice.co.uk says about this great day for music...
http://productionadvice.co.uk/uk-female-artists-more-dynamic/

MOSH = BACK!

Have you heard?

MOSH = BACK!



Published on Nov 12, 2013
01 - Walker [00:00]
02 - Mosh is Back [02:16]
03 - Reprobate [06:33]
04 - Praise of Pain [10:13]

Running time: 13"34' (approx)


WALKER was a Dutch, Tilburg based outfit that was actually in fact Crustacean (http://www.metal-archives.com/bands/C...) with two members switching instruments. Just for fun, and I would be amazed if more than 100 people heard this excellent demotape back in the day. (sadly I must add, it's awesome in my book.)

Walker consisted of brutal Brabant Metal Heads Joris on drums, Tom on Bass, Mikk on Guitars and Norbert handling the verbal humiliation. (Y)

Recorded at the infamous but oh, so, excellent Double Noise Studio in Tilburg, The Netherlands. Chris de Cock engineered his ass off and Hans 'Buddha Building' Timmermans produced this massive glorious turd like no one ever could match.
(Personal addition, I think this sounds better than any of the last 3 ~ 3 and a half Holy Moses albums and I am a big fan of Sabina Classen and her Posse!)

References you ask?
How about #Holy Moses (DE), #Warpath (DE) and #Slayer (DUH!) yo?
#Carnivore? Hell yeahs!
Sound? Excellent!

This is taken from a pristine copy of the demotape. No dolby NR was used in production which is a pity but then again, lots of things can go wrong with that system too. Not a bad copy at all.

Transfer and Mastering was done by Eddy Lite @ hoerejong MultiMedia Design for Hipper than Hell Records on Movember 12th 2013.

HELL JAWEL! Now, blast that plaster off the ceiling dudes! (and dudettes!)

www.dynamicrange.de
www.turnmeup.org
www.myspace.com/hipperthanhellrecords
www.facebook.com/eddylite.54

MOSH IS BACK! \m/,

Enjoy!
Eddy Lite
  • Category

  • License

    Standard YouTube License/ support your local scene.
    If any of the members and / or Double Noise family want this removed or altered, shoot me an e-mail... #respect